THE DEFINITIVE GUIDE TO CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes yearning romantics, with this particular change: Buster would seem a plausible mate, along with the Tramp hardly seems to have a libido, only idealized notions. If their comedies had been built in a more liberated time, it is possible to imagine Keaton in bed with a girl, but disquieting to consider the Tramp being a sexual becom